中华美学艺术的多元一体及融合发展

The Pluralistic Integration and the Integrated Development of Chinese Aesthetic Art

多民族中国的文化既多元一体又一体多元,其整体可以按照区域和族群划分为各种特色部分,但归根结底,这些部分作为整体中的部分是在相互关联(或直接或间接)又相互区别(相对而不绝对)中获得发展的,你中有我,我中有你。从地域、族群以及中外文化交流等角度切入,结合文献与田野调查,考察和研究中华美学与艺术的多元一体及融合发展,无论对于把握中华美学艺术精神还是对于建设中华美学体系都具有重要的现实意义。

The multinational Chinese culture is both integrated pluralism and integrated diversity. The whole can be divided into various distinctive parts according to regions and ethnic groups. However, in the final analysis, going along with their development, these parts correlate（ directly or indirectly） and differentiate （ relatively rather than absolutely） with each other. They are interpenetrated. From the perspective of regions and ethnic groups, as well as China and foreign countries, combining with literature and fields, the paper examines and studies the pluralistic integration and the integrated de- velopment of Chinese aesthetic art, which is of great practical significance to grasp the spirit of Chi- nese aesthetic art and to build the Chinese aesthetic system.