“黄飞鸿”对手群体的演变分析——以徐克“黄飞鸿”系列为例

Analysis on the evolvement of “Huang Feihong”opponents groups——take “Huang Feihong”series of Tsui Hark as an example

研究指出,在过往以晚清和民国为背景的武侠电影中,西方与东方往往被设置成邪恶/善良、殖民/被殖民、压迫/反抗这样极端对立的二元模式,西方是中国人最大的对手和敌人。但是在"黄飞鸿"系列中,徐克摒弃了既有了民族主义思路,而把叙事重心放在了"国民性批判"上面,随之而来,黄飞鸿对手的类型以及对手身上所蕴涵的文化观念也发生了相应的变化。

In the past,in the martial arts films that take late Qing Dynasty and the Republic of China as the background,the West and the East are usually set as an extreme opposite binary mode that is evil vs kind,colonial vs the colonized,and oppression vs resistance. The west is the Chinese biggest rivals and enemies. But in 'Huang Feihong'series,Tsui Hark abandons the old nationalist ideas. He puts the narrative focus on top of the 'national character criticism'. Subsequently,Huang Feihong opponents' types and cultural concepts contained in the opponents also have changed accordingly.