摘要
马克思、恩格斯毕生的理论主题是对现代性进行反思和批判以及对全人类的彻底解放作出承诺。在此基础上,他们坚持"历史合力论"、美学和历史相统一的方法论,从而以"文学意义上的人"为主导观念构建马克思主义文艺美学的理论体系。这三个论题形成一种有关马克思主义美学当代形态的体系性的构架,也就是应以历史合力论为哲学基础,以美学观点和历史观点相统一为文艺美学的方法论,以"文艺意义上的人"为核心观念而建构的理论框架和体系。
The persistent theoretical theme of Marx and Engels is to examine and criti- cize modernity and foretell the ultimate liberation of all human beings.Starting from this aim,they advocate a theory of joint forces and a methodology integra- ting aesthetics and history and thus construct a theoretical system of Marxist aesthetics centering on the key concept of literary man.Three ideas form the theoretical frame of contemporary Marxist Aesthetics,i.e.the theory of joint forces as the philosophical foundation,the integration of aesthetics and history as the methodology,and the literary man as the key concept.
出处
《马克思主义美学研究》
CSSCI
2008年第1期30-40,共11页
Research on Marxist Aesthetics
关键词
现代性
历史合力论
美学和历史相统一
文学意义上的人
Modernity
the theory of joint forces
integration of aesthetics and history
literary man