摘要
本文基于对马克思、海德格尔批判西方形而上学主体主义哲学、美学及有关存在本源发生的"自身性"思想的辨析,思考了建立一种"后主体主义"美学的可能性。其将海德格尔关于Ereignis的思想与中国传统关于"造化"的哲学美学思想联系起来,对"造化"作为在场状态本源发生的意义进行了重新阐释,着重讨论了艺术美在创作中的发生问题。
Based upon Marx's and Heidegger's critique of the subjectivist philosophy and aesthetics of western metaphysics,as well as their exploration on original generation of Being,this article discusses the possibility of the construction of post-subjectivist aesthetics.Making a kind of correlation between Heidegger's thinking of Ereignis and Chinese traditional thought of the Creating(Zaohua), this article gives a re-explanation of Creating(Zaohua)as the original generation of the presence,and discusses especially the generation of beauty in the process of the creative work of art.
出处
《马克思主义美学研究》
CSSCI
2008年第1期182-197,共16页
Research on Marxist Aesthetics