真正的问题乃是如何解释这些现象——关于“思想进步,艺术退步”之争识小

The True Issue is How to Interpret These Phenomena——The Contend on the"Progressive Idea Leads to Regressive Art"

针对"思想进步,艺术退步"的观点,本文首先就具体语境,对这里提及的"思想"进行了界定。这里的"思想",事实上就是政治倾向。本文指出,"思想进步"是否会导致"艺术退步",核心其实是"文艺与政治关系"的问题,并且以郭沫若、曹禺及老舍等人的创作,从正反两个角度说明,政治倾向并非一定导致作品的艺术水准的退步,关键在于作家的思想能否化为艺术创作所需要的"诗情意念"。从"情感论"的角度来看,"诗情"内涵着思想的因子,具有深刻性、具体性、整一性、反观性的特点,能够自然而然地化为艺术形象的血肉,而单是思想或世界观是不足以决定创作的。过于看重思想观点对于文艺的重要性,是个认识误区。

For the view'progressive idea leads to regressive art',the article first defines'idea'referred here in the specific context.In fact,the'idea'here means the political tendency.This article points out that whether the'progressive idea'would lead to'regressive art',the core is actually the relations between literature and art and politics.From both positive and negative point of view, this article takes Guo Moruo,Cao Yu and Lao She's works as examples,and points out that political tendency must not lead to regressive art,which depends on whether writer's idea can be transformed into'Poetry Feeling'.From the Theory of Attaching Importance to Emotion,the feature of'Poetry Feeling'including factor of thought is profound,concrete,unity and retrospective, which can be naturally transformed into flesh and blood of art images.Idea or worldview alone is insufficient to decide on the creation.It is a misunderstanding to pay too much importance of idea to literary writings.