流落在历史断层之上的身份确证——电影《芳华》的作者意识及其他

Finding an Identityin Historical Fault:Starting from the Author's Consciousness in Feng Xiaogang's Film Youth

对时间和遗忘的抗拒使得电影《芳华》具备了不可替代的身份确证价值。在这一点上,无论是冯小刚还是原著作者严歌苓,在《芳华》的印迹里都有自己和时代的身份确证。从这个角度而言,《芳华》其实是一段历史的断层。在这个断层之上,《芳华》呈现了一种内应力的走向。这是对特殊历史条件下社会规制的预设性与暧昧性的犹豫。

The resistance to time and forgetting give the film Youth an irreplaceable identification value. Whether it is that of the director Feng Xiaogang or of the original author Yan Geling,in the imprint of the film Youth there are instances of personaland era identification. From this perspective,Youth actually reveals a historical fault. Based on this fault,the film presents a trend of internal tension. This is the hesitation between presupposition and ambiguity of social regulations under particular historical conditions.