摘要
文学期刊既是文学作品的载体,也是文学作品的传播媒介。在20世纪中国文学的历史进程中,文学期刊作为文学传媒的主力军诚然有着举足轻重的地位。进入21世纪之后,文学期刊由于受到影视传媒、网络传媒以及以手机为代表的新媒体(包括微信、公众号)的强势冲击,其影响力虽然有所弱化,但是文学期刊作为原创作品的传播平台以及影视作品的资源库,其快捷性、源发性、权威性及经典性依然是无可替代、无法抹杀的。考察新世纪文学,文学期刊依然是一个不可或缺的维度,也是一个无法忽视的场域。置于新世纪文化语境下的文学期刊,大致经历了三个阶段:一是文学期刊的"小众化"危机;二是文学期刊的"大众化"策略;三是文学期刊的"数字化"生存。
Literary periodical is not only the carrier of literary works,but also the medium of literary works. In the historical process of Chinese literature in the 20 th century,literary periodicals,as the main force of literary media,certainly have a pivotal position. After entering the 21 st century,due to the strong impact of film and television media,network media and new media represented by mobile phones( including Weixin,public names),the influence of literary periodicals has been weakened,but literary periodicals,as the dissemination platform of original works and the resources of film and television works,are fast and efficient. Sex,source,authority,and classics remain irreplaceable and undeniable. Literary periodicals are still an indispensable dimension and a field that can not be ignored when we study the literature of the new century. Literary Periodicals under the cultural context of the new century have gone through three stages: the crisis of "miniaturization"of literary periodicals; the strategy of "popularization"of literary periodicals; and the survival of "digitization"of literary periodicals.
出处
《浙江传媒学院学报》
2018年第4期30-37,144,共9页
Journal of Zhejiang University of Media & Communications
基金
国家广电总局项目"基于网络视频的影视剧传播机制研究"(2014027)
浙江省哲学社会科学课题"网络文学评价体系及引导机制研究"(17NDJC187YB)的阶段性成果