“私历史”:“港式”主旋律电影的新历史主义解读——以许鞍华的《黄金时代》和《明月几时有》影片为例被引量：5

“Private History”: a New Historicist Interpretation of the“Hong Kong Style”Theme Movie——Take Xu Anhua's“Golden Age”and“the Moon in the Moon”as Examples

下载PDF

导出

摘要近几年来,香港导演"北上",他们参与的国家主旋律影片越来越多,其中不乏对历史的重新解读。最具代表性的是来自香港的许鞍华。这位"新浪潮"主将的两部影片——《黄金时代》和《明月几时有》,因其叙事上的纪实性、影像上的冷色调,以及在叙事空间上强调内地与香港之间的跨地性等特色而别具一格。尽管有些论述将这两部影片定性为"主旋律"电影,但是,我们依然可以看出,她在叙事上的"疏离感"不同于以往内地主旋律电影中的叙事。许鞍华以"私历史"的视域,正面书写了"华人"/"华语"世界对家国历史与文化的复杂情感。

作者黄望莉乐天

机构地区上海大学上海电影学院

出处《浙江传媒学院学报》 2018年第4期133-136,共4页 Journal of Zhejiang University of Media & Communications

基金教育部人文社会科学研究规划基金项目"中国电影政策史纲(1978-2018)"(17YJA760019)研究成果

关键词许鞍华主旋律电影 “私历史”

分类号 J905 [艺术—电影电视艺术]

引文网络
相关文献

参考文献1

1张英进.民族、国家与跨地性：反思中国电影研究中的理论架构[J].南京师范大学文学院学报,2012(3):1-9. 被引量：31

二级参考文献30

1Rey Chow, ed. Modem Chinese Literary and Cuhural Studies in the Age of Theory: Reimagining a Field (Durham, NC: Duke University Press, 2000).
2Rey Chow. Woman and Chinese Modernity: The Politics of Reading between West and East (Minneapolis: University of Minnesota Press, 1991), xvi.
3Chow. Writing Diaspora, 98. Writing Diaspora : Tactics of Intervention in Contemporary Cultural Studies ( Bloomington : Indiana University Press, 1993).
4Rey Chow. Ethics after Idealism: Theory - Culture - Ethnicity - Reading ( Bloomington: Indiana University Press, 1998), xxi.
5Rey Chow. Sentimental Fabulations, Contemporary Chinese Films : Attachment in the Age of Global Visibility ( New York : Columbia University Press, 2007).
6Bordwell. "Contemporary Film Studies and the Vicissitudes of Grand Theory," in Post - Theory: Reconstructing Film Studies, edited by David Bordwell and No? 1 Carroll (Madison: University of Wisconsin Press, 1996).
7David Bordwell and No? 1 Carroll, eds., Post- Theory: Reconstructing Film Studies (Madison: University of Wisconsin Press, 1996), xiii - xiv.
8David Bordwell. On the History of Film Style ( Cambridge, MA : Harvard University Press, 1997 ).
9David Bordwell, The Way Hollywood Tells It : Story and Style in Modern Movies ( Berkeley : University of California Press, 2006).
10Kristin Thompson. "Nation, National Identity and the International Cinema," Film History 8 (1996).