摘要
泛表演剧场一词并不是一种剧场类型或对某类戏剧题材的概括,而是对于当今萌生的表演种类多样化爆发现象的一种统称。用泛表演剧场这个笔者发明的概念,能比较准确地勾勒当代戏剧、表演、美术跨界美学实践所具备的'形态'和'灵魂'。文章进行泛表演剧场的概念释义,归纳它的发生范畴,论证它成立的合法性、历史性和谱系性,以及它的哲学基础,有以下目的:一在于建构一种新颖的剧场诗学,二在于说明无论是剧场内部的演变还是剧场外部的社会剧场化和社会表演,以剧场三要素为核心的剧场原型分析依然是有效的。
Pan-performing theatre is not a kind of theatre or a summary of a certain kind of theatre theme,but a general term for the emergence of a variety of performances today.The concept of pan-performing theatre,invented by the author,can more accurately outline the'form'and'soul'of contemporary drama,performance and cross-border aesthetic practice.The article explains the concept of pan-performing theatre,sums up its occurrence scope,demonstrates its legitimacy,historicity and genealogy,and its philosophical basis,with the following purposes:first,to construct a novel theatrical poetics;second,to explain that,whether the evolution of the theatre itself or the social theatricalization and social performance outside the theatre,with these three elements of theatre as the core,theatre prototype analysis is still effective.
出处
《浙江传媒学院学报》
2019年第3期79-88,110,共11页
Journal of Zhejiang University of Media & Communications