北京城市工业遗址舞台空间考察

The Investigation of the Stage Performance Space in Industrial Relics of Beijing

以北京的工业遗址舞台空间为研究对象,分析演出活动选择工业遗址做舞台的内在美学机制,并通过考察演出活动与工业遗址之间的互动关系,提出工业遗址舞台的5种基本模式:工业遗址前舞台、工业遗址上舞台、大跨工业遗址内舞台、工业遗址群实景演出舞台和工业遗址区组群演出舞台,然后从舞台空间"体—场"双结构的角度分别举例阐释每种模式的特点和规律。

Paper firstly analyses the intrinsic aesthetic mechanism about how performance choose industrial relics as stage, and then proposes five basic stage patterns by investigating the relationship between performance and industrial relics. They are Stage before Industrial Relics, Stage on Industrial Relics, Stage in Large-Span Industrial Relics, Stage before a Landscape Spectacle of Industrial Relics, Group Stage in Industrial Relics District. Finally, each pattern is illustrated by theoretical analysis and exemplification.