湘剧《琵琶记》赵五娘形象的改编

Adaption of Image of ZHAO Wu-niang in Traditional Hunan Opera a Tale of Pipa

在'改戏、改制、改人'的'三改'的戏剧政策下,湘剧《琵琶记》在元代《琵琶记》的基础上,对赵五娘形象进行了改编,将其作为戏剧中心人物来塑造,在继承原剧精华的基础上,突出描写赵五娘的反抗精神,将之外化为人物情绪中的'怨'。这种改编源于对民间戏曲版本的吸收,以及当代人对赵五娘这一角色的重新思考。

Under the policy of "adapting opera,reforming and changing the people",the Hunan opera a Tale of Pipa was based on the previous version in the Yuan Dynasty and the image of ZHAO Wu-niang was adapted and portrayed as a central figure. In the adapted version,Zhao Wun-liang inherited the highlights of original one,put ZHAO Wu-niang’s resistance spirit into prominence,which was externalized as emotions of the "resentment." This adaptation stems from the absorption of folk opera version and from the contemporary rethinking of the image of ZHAO Wu-niang as well.