传统善琏湖笔研究的文化生态视角

Cultural Ecology Research of Traditional Huzhou Writing Brush in Shanlian

本文旨在探求传统善琏湖笔文化生态的内涵,揭示文化生态之于中国古代造物研究和非物质文化遗产研究的理论价值和实践意义。因为文化生态学在美国上世纪50年代的萌发、成熟和发展,尤其是90年代传入中国后有关文化哲学视角下文化生态的研究,为善湖笔研究提供了理论支持,同时也拓展了湖笔研究的两个维度,即突破非物质文化遗产中仅对湖笔传统制作技艺的关注和深化中国古代造物研究的研究方法,反之具有双重属性的湖笔又为完善文化生态理论提供了实证依据。

This study aims to explore the implication of cultural ecology related to traditional Huzhou writing brush, Particularly, revealing the theoretical and practical signiifcance of Chinese ancient creation research and intangible cultural heritage which concerning the cultural ecology. Cultural ecology originated from 1950s and developed from that time, especialy in 1990s, the cultural ecology disseminated in China about cultural ecology under the perspective of cultural philosophy which provided theoretical support. Meanwhile, the research have expanded two dimensions that the research methods which breakthrough focus on traditional making skils of traditional Huzhou writing brush under perspective of intangible cultural heritage and Chinese traditional research. Otherwise, two dimensions of traditional Huzhou writing brush provide evidence for completed the cultural ecology theory.