明代青阳腔“滚调”十论

On Gun Tune of Qingyangqiang Opera in Ming Dynasty

滚调是明代青阳腔最重要的立身标识。整个清代,人们并不知道青阳腔与滚调曾经存在过。1942年傅芸子先生发表《释滚调》一文,开启了青阳腔滚调研究的大门。70余年来,几代曲学论者都对滚调有所涉猎,形成诸多观点,但各家对于"滚"及"滚调"的相关问题,均未加深论。需要讨论的问题有很多,如:滚调的发现与研究、"衮"与"滚"的关系、"滚"字释义、"滚"字来源、如何"滚"法、滚调出自何时、滚调出自何腔、滚调的概念、滚调的传播、滚调的衰落等。

Gun tune is the most important identity of Qingyangiang opera in Ming dynasty. But Qingyangqiang opera and Gun tune was little known during Qing dynasty. In 1942, Fu Yunzi published On Gun Tune, which started the research of Gun tune of Qingyangqiang opera. Over past 70 years the scholars of opera studies formed viewpoints on Gun tune, but many issues need further research, including discovery and research of Gun tune, interpretation and source of Gun, how to play Gun, when Gun tune forms, the concept and communications and decline of Gun tune, and so on.