摘要
中国电影从 80年代至今一直未能突破低迷状态的重围 ,客观上要求电影业内人士必须思考本土电影的发展与出路 ,电影民族性特质就成为一个不可规避的话题。谢飞电影的美学观念正是基于民族性这一出发点 :传统道德统驭下人的悲剧性命运 ;对理想、信仰的寓言式表述 ;诗意化的影像语言都在指认着传统与现代、愚昧与文明等永恒的中国文化命题。
It is a fact that Chinese movie has still been in the downturn from 1980's on, which objectively demands the movie practitioners to consider the development and outlet of the indigenous movies, so the movie's nationality is becoming an inescapable topic. Xie Fei's aesthetic concept of movie is based on nationality. The tragic fortune under the control of traditional morality,the fabulous statement for ideal and belief,the poetic image language all point to the eternal Chinese culture proposition of tradition and modernity,civilization and ignorance.
出处
《辽宁师范大学学报(社会科学版)》
2002年第5期78-81,共4页
Journal of Liaoning Normal University(Social Science Edition)