摘要
“文学形式本体论”是 2 0世纪四十年代西方重要的文艺理论 ,它是与有着深厚根基的“作家中心论”及 2 0世纪六、七十年代迅速崛起的“读者中心论”形成鼎足之势。这一理论把对文学作品本体的研究当作文学研究的主要任务 ,认为文学研究可以不考虑文学自身之外的其它一切因素 ,而应通过语言分析、通过细读法去寻绎作品的本意。这种理论割断了文学与社会生活丰富的联系 ,弱化了人们对文学作品内容的关注 ,最终要把文学研究变成一种科学主义的程序化操作 。
Literary form ontology is an important theory of art and literature in the west in 1940S.It exists together with the author-centred theory and the readers-centred theory.It regards the studies of Iiterary works thenself as the main talk of literature studies.It imagines that literatune studies can be done without considering other factors but only literature itself and should be done through language analys and a good compreheusicen of the works (This theory severs the connection between literature and social life and weakeus the atteution paid to the couteut of literary works.It s ultimate purpose is to change literature studies into scieutifidy programmed operation and to make literature criticism degenerate into the mire of an other kind of formalish)
