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关于“一三五不论”的内涵

On the Connotation of "The First, Third and Fifth Lines without a Strict Tonal Pattern and Rhyming Scheme in a Eight-line Poem with Seven Characters to a Line
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摘要 七言近体诗的“一三五不论”和五言近体诗的“一三不论”在各自的基本句式中其情况有所不同。七言句的四种基本句型中真正具有“一三五不论”全部内容的只有“平平仄仄平平仄”这一句型。五言句的四种基本句型中真正具有“一三不论”全部内容的只有“仄仄平平仄”这一句型。 The first, third and fifth lines without a strict tonal pattern and rhyming scheme' in a 'modern style' poem with seven characters to a line is different from 'the first and third lines without a strict tonal pattern and rhyming scheme' in a poem with five characters to a line in their respective basic sentence patterns. In the four basic sentence patterns of seven character sentences, only the sentence pattern of 'level, level, oblique, oblique, level, level, obloque' really has the whole contents and in the four basic sentence patterns of five character sentences, only the sentence pattern of 'oblique, oblique, level, level, oblique' has the whole contents.
出处 《西南民族学院学报(哲学社会科学版)》 北大核心 2002年第9期53-55,276,共3页 Journal of Southwest University for Nationalities(Philosophy and Social Sciences)
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参考文献2

  • 1郭锡良等编著.古代汉语(下册)[M].天津:天津教育出版社,1996.
  • 2吴丈蜀.读诗常识[M].上海:上海古籍出版社,1978.

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