摘要
江淹的诗歌有的意象奇崛峭拔 ,有的具有悲壮凄凉之气 ,有的基调沉郁而朴茂遒劲。其仿拟之作 ,大多达到貌合神似的地步。他的《清思诗五首》表现出超尘脱俗的境界 ,显得空灵飘逸。《悼室人十首》抒写诗人难以抑制的悲痛和伤感 ,情感哀婉缠绵。在永明诗风盛行的南朝 ,江淹的诗歌可谓独树一帜 ,钟嵘《诗品》评价为“诗体总杂 ,善于模拟” ,刘熙载《艺概》论云 :“有凄凉日暮不可如何之意” ,在诗美和诗境上别具特色。但模拟毕竟非作家自身本色。江淹在诗思上不可避免地受到羁制 ,欠缺深刻的笔力。
Jiang Yan's poems are so vivid and so true to life that they are alike not only in appearance but in spirit as well; some are of unusual and vigorous imagery, others of solemn, and forlorn theme and still others of depressing yet powerful key notes. For example, 'Five Poems of Sober Thought' expresses the poet's state of keeping away from earthly concern holding himself aloof from the vulgar and appearing free and elegant. 'Ten Poems of Mourning over Roommates'conveys his uncontrollable sorrow and sentiment lingering and touching. At Nan Dynasty when Yongming poetry style was popular, Jiang Yan's poetry was unique. However, imitation is contrary to creation, imaginative thinking, and so his poems lack vigour and vitality.
关键词
江淹
诗
南朝
风格
语言
Jiang Yan
unusual and vigorous
solemn and excited
imagery concentrated
keeping away from concern
lucid and secluded
