摘要
叔本华是19世纪上半叶德国唯意志主义哲学家,又是唯意志主义音乐思想家,他从唯意志主义哲学的本体论、认识论及方法论三个方面阐述了自己的唯意志主义音乐思想:首先,从本体论出发,叔本华认为音乐复制了理念,而音乐与理念之间的关系则是对应的类比平行关系;其次,从认识论出发,叔本华认为音乐是形而上的具有哲学深度的艺术,是一种独立于根据律之外观察事物的方式;最后,从方法论出发,叔本华认为音乐完全孤立于其他一切艺术之外,是一种普遍性与清晰性都最高的语言。
<Abstrcat>Schopenhaur is a German Voluntarist aswellas a thinker of Voluntarisr music in early 19th Schopenhaur expresses his music ideas from the angles of view of ontology, epistemology and methodology of voluntarism. At first, from the angle of view of ontology, Schopenhaur thinks that music copies principles and the relationship between them is a relation of parallel analogy; secondly, from the angle of view of epistemology, Schopenhaur thinks that music is a kind of superorganic art of philosophic implications; finally, from the angle of view of methodology, he thinks that music, which breaks away from all other arts, is a language of the utmost university and clearness.
出处
《郴州师范高等专科学校学报》
2002年第4期74-76,共3页
Journal of Chenzhou Teachers College
基金
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