论臧克家的诗人散文

On the poetic prose by Zang Kejia

臧克家是中国现当代文学发展史上的著名诗人和重要散文家。在 70年的写作生涯中 ,他经历了由“诗压散文”到“散文压诗”的创作过程。评论界对臧克家散文的研究远远少于对他的诗的研究。其实 ,臧克家在新诗文体建设和散文文体建设方面均保持着清醒的文体自觉 ,为散文文体的深化与发展不断开拓创新。他的诗没有散文化 ,他的散文却有诗魂 ,好似蓝田生烟的美玉 ,彰显着“建筑、绘画、音乐的美”的散文风格和浓郁的乡土气息。本文从文体学的角度 ,分析臧克家诗和散文的文体差异 ,阐释他融精炼、抒情、文采为一体的散文创作特色 ,揭示出“诗人散文”

Zang Kejia is both a celebrated poet and an important proser in the history of modern and contemporary Chinese literature. In his 70 years of writing career, his creation has experienced the change from 'poetry over prose' to 'prose over poetry'. The study by critics on his prose is far less than those on his poetry. In effect, Zang Kejia maintains a clear consciousness of the construction of the styles of new poetry and prose and has done his utmost to improve the reform and development of prose style. His prose is tinged with culture and pervasive of the poetic nature tinged of typical local features. This essay analyzed the stylistic difference between Zang Kejia's poetry and prose and expounded his prose-writing features of succinctness, lyric and literary grace to display the poetic characteristics of his poetic prose.