摘要
本文从分析厉鹗对周邦彦的接受与舍弃入手,指出厉鹗理论上虽推崇周邦彦,但实际创作中,从词的题材、结构、意象到所传达的情绪体验方面都与周词有一定的差异。厉鹗接受了周词婉约隐秀、律吕协畅的优点,而舍弃其由于应歌而作带来的不雅不正方面,使词彻底成为一种"长短不葺之诗"。这既与厉鹗对词体的认识有关,也与其时清真雅正的衡文标准密切相关。
This article points out the fact that, although Li-e admired Zhou Bang-yan' s song lyrics ( Ci), his own composition was a bit from Zhou' s in terms of subject, structure, image and emotional response. Li-e, who accepted Zhou' s advantages in subtlety and harmony, while abandoned Zhou' s impropemess caused by his compliance with melody, made Ci a kind of 'poetry, uneven in length'. This should be attributed both to Li's knowledge of Ci as a genre and to the contemporary criteria 'lucid , real, grace and proper' .
关键词
厉鹗
周邦彦
词
雅正
Li-e, Zhou Bang-yan, song lyric (Ci) , grace and proper