摘要
如果以更开阔的视野来讨论古琴美学,则"情"、"禁"是两个重要的美学范畴。从古琴音乐发展史看来,以儒家思想为基础、强调非美之美、合乎伦理道德的理性之"禁",与以道家思想为内核的、展现内在生命精神的感性之"情",互补相涵,赋予古琴艺术以多姿多彩的艺术风范。
Emotional and moderate are two Key aesthetic paradigms in GUQIN theory,if We study GUQIN art with broader eyesight.The theory of Moderate,base on Confuse,is reason,and the theory of Emotional emphasis on liberality to express people's feeling.Emotional and moderate both blend harmoniously;make the GUQIN music so wonderful.
出处
《邵阳学院学报（社会科学版）》
2008年第6期136-138,共3页
Journal of Shaoyang University:Social Science Edition
关键词
古琴乐论
情、禁、美学范畴
GUQIN Theory
emotional
moderate
aesthetic paradigm
