摘要
文革前17年新诗中的现实主义具有“应该是这样”的前瞻性写实倾向,这一写实倾向将新诗现实主义 的创作潮流推向了更高的境界。但极左思潮的日益加剧,导致这一创作特色成为助长政治权威话语的图解手段,随着 诗人主体的失落,现实主义也陷入了公式化、概念化的泥潭。
During the 17 years before the Cultural Revolution, realism in the New Poetry followed the theoretical principle of 'must-be-this-way'. This ideological guideline prescribed to literary realism promoted realistic poetry writing to an unprecedented level. The extreme leftist ideology, however, directed this genre of artistic creation to the point of becoming an effective discourse for the political authority. This fall of poetic impersonalization into utilitarian conceptualization degraded realism to a mere non-creative formula.
出处
《浙江大学学报(人文社会科学版)》
CSSCI
北大核心
2001年第5期14-22,共9页
Journal of Zhejiang University:Humanities and Social Sciences