“神”与“逸”、“风骨”与“北宗”论

On "spirit" and "ease","vigour of style" and "the northern model

有些论家立“神刚逸柔”之论 ,未为确论。“逸”之“柔”并不会必然引出其对立面“刚”与“神”的必然联系。“北宗”论家与绘画的审美追求 ,与《文心雕龙·风骨》篇关联紧密 ,都属于“势”体系的刚性美系统。在绘画中“逸品”的生发、成熟 ,也正是刚性美系统衰落的过程。

The viewpoint that holds 'spirit' and 'toughness' in contrast to 'ease' and 'softness' is not evidently proved.The 'softness' of 'ease' cannot necessarily lead to the connection between its opposite 'toughness' and 'spirit'.The aesthetic standards of the 'northern model' both in theory and painting belong to the system of tough beauty which focuses on power.The production and development of painting with ease was accompanied by the decline of the system of tough beauty.