苏轼之后的北宋词坛

<title>The Post-Su Shi Ci-Writing in Bei Song Dynasty

天才词人苏轼以前所未有的力度对词风进行了全面的革新,为当时绮丽的词坛吹进了一股清新的空气。然而,在当时和稍后却未能得到普遍的认同。苏轼之后的北宋词坛主要活跃着两类创作主体,一是以贺铸为典范的都会 名士,一是以周邦彦为代表的大晟府人。他们并没有继承苏轼的革新精神,而是沿袭原有的道路,使词的创作重新陷入艳科的泥沼中去。

<Abstrcat>The talented Ci-writer Su Shi, with unprecedented momentum, carried out a comprehensive renovation in the style of Ci-writing, which ushered in a waft of fresh air into the then ornate Ci coterie. Nevertheless, his renovation did not gain widespread identification either contemporarily or a bit later. In the post-Su Shi Ci-writing coterie existed two primary writing subjects, namely, the Metropolis Gentility represented by He Zhu, and the Da Cheng Fu musicians at the head of Zhou Bang-yan. They did not follow in the footsteps of Su Shi but took the former course, and therefore caused Ci-writing to put on its original euphuism. 