摘要
土家族毛古斯仪式是现代文化语境中存活的古代祭仪,在中国少数民族中极为少见,很多学者倾向于把它定位于原始戏剧、或祭祖仪式剧、或称之为戏剧史上的活化石。本文试图从多学科的角度对其进行解读,把它定位为祭祖仪式,剧目表演只是仪式的衍生(式派生)内容,并探讨其存活至今的原因。
Tujia hair Gus ceremony is to survive the modern cultural context of ancient rituals, ethnic minorities in China is extremely rare, many scholars tend to position it in the original play, or worship ceremony, drama, or so-called drama the history of the living fossil, this article attempts a multidisciplinary perspective to interpret them, positioning it as a memorial ceremony, the ceremony is just a derivative of repertory performances (type derived) content, and to explore the reasons for their survival so far.
出处
《铜仁职业技术学院学报》
2011年第4期37-40,共4页
Academic forum of Tongren Polytechnic College