摘要
楹联是中国特有的一种文学样式 ,写于各类祠庙的楹联往往对祠庙所祭人物有着相当精确的评价。本文立足于接受美学理论 ,从楹联角度审视吴太伯在二千年历史中的接受历程 ,反思其不同时代的政治观念、文化观念和文化视野 ,从而对《史记·吴太伯世家》
Chinese couplets is a special literary style only in Chinese culture. Chinese couplets written in different temples have some exact evaluation to the memorized persons as well as representation with the memorized persons being accepted and popularized in different periods. Wu Taibo how to accept and popularize gradually Chinese couplets was studied in previous 2000 years by means of reception aesthetics.The author looks forward and back its political and cultural sense in different historical periods,which will be beneficial to making an additional explanation to Wu Taibo Shijia in Great Historical Record.
出处
《北华大学学报(社会科学版)》
2002年第3期46-48,共3页
Journal of Beihua University(Social Sciences)
关键词
楹联
接受美学
太伯
阐释
Chinese couplets
Reception aesthetics
Wu Taibo
Explanation