论毛宗岗小说评点之“戏曲手眼”

On Mao Zong-gang's Use of Traditional Chinese Drama and Opera Termsin his Fiction Review

毛宗岗小说评点借用了戏曲美学的概念 ,如关目、科、收煞等。毛宗岗小说评点表现出的“戏曲手眼”既有自觉的一面 ,又有不自觉的一面 ,其背后展示的是文学与戏曲艺术的相同文化内涵 。

In his fiction review, Mao Zong-gang borrows some aesthetic terms like Guangmu, Ke (stage directions) and Shousha from traditional Chinese drama and opera. Mao's use of these drama and opera terms in a half conscious way indicates that fiction and drama and opera have shared cultural connotation and that drama and opera can interpret fiction across time and space.