摘要
不同于单纯接受风诗为诗教的重要内容的观点 ,通过对风诗走上伦理道德路途的原因作思维方式、文化制度上的详尽分析 ,认为风诗由民间流入上层社会的礼乐文化圈 ,一种原始思维左右了人们的解读方式 ,另外 ,礼乐文化中的德治思想使风诗融入大传统成为必然 ,而“以声为用”
Being different from the simple reception of the viewpoint that folksongs are important contents of the preachment of 'Shijing', and by the detailed analysis of the method of thinking and the cultural system in respect with the causes for folksongs to take the way of ethics and morality, the author holds that when folksongs got into the cultural circle of rites and music of the upper society, a kind of primitive thinking governed the mode of annotation. Additionally, the thinking of the rule by morality in the culture of rites and music made it inevitable for folksongs to blend into the great tradition and the idea of 'bringing music into use' is the necessary condition for this process.
出处
《西安交通大学学报(社会科学版)》
2002年第3期94-96,F003,共4页
Journal of Xi'an Jiaotong University:Social Sciences
关键词
风诗
诗教
《诗三百》
礼乐文化
folksong, preachment of Shijing
culture of rites and music