牛郎织女传说与审美意象的外化

The Tale of the Herb-boy and the Weaving-girl and the Expression of the Aesthetic Images

对于牛郎织女传说的研究 ,仅从史家观点和幻化形式入手 ,是偏颇和形而上学的 ,并使之失去了反封建意义。其“鸟鹊添河”幻化形式乃是一定历史阶段审美主体审美意象外化的一种特殊形式。在审美角度阐释牛、女爱情故事及外在形式 ,具有更为直接和普遍的意义 ,并能感性地揭示其反封建主题。

Only from the view of history and imagination, it tends to be biased and metaphysical and lose the theme of anti feudalism on the study of the Fairy Tale 'The Herb-boy and the Weaving-girl'. The imagination form of 'magpies forming a bridge' is a special way to express the aesthetic subjects of a certain historical period. In the aesthetic opinion, to denote the tale itself and its external existence will have more universal and direct significance and thus achieve the target of indicating anti-feudalism.