论书法创作中的“无意于佳乃佳”与“无法之法”

An Excellent Piece of Calligraphy Is Created Unconsciously and No Technique Is a Technique

书法家在创作中能有“无意于佳乃佳”的效果。这种下意识的直觉下的技法境界是由有意识转化而来的 ,还有书家性情、才情与修养的作用。这种妙手偶得实际上常常做到了“无法之法”,二者联系密切。“无法之法”也是从“有法”之中走过来的 ,是积学累功后灵感的悟得 ,其实质就是艺术的创新。“有法”与“无法之法”共同推动了中国书法的前进。要创新既要广泛继承 ,又要善于变法。“入我神”使“古化为我”是走向“无法之法”的重要途径 ,“无意于佳乃佳”之作亦由此求得。

It is the highest level for a calligrapher to create an excellent piece of calligraphy unconsciously. In order to do that he should practice it diligently. Develop a calligrapher's disposition and talent. No technique is a technique, the essence of which is artistic innovation.