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6Finkelstein, ASCAP as an Example of the Clearing House System in Operation, 14 Bull. Copyright Soc'y 2 (1966), p. 2.
7E. Schlachter, The Intellectual Property Renaissance in Cyberspace: Why Copyright Law Could Be Unimportant on the Intemet, 12 Berkeley Tech. L.J. 15(1997), p. 41.
8Julie E. Cohen, Copyright and the Jurisprudence of Self- help, 13 Berkeley Tech. L. J. 1089 (1998), p. 1090.
9Yochai Benkler, The Wealth of Networks: How Social Production Transforms Markets and Freedom, Yale University Press (2006), p. 9.
10Lawrence Lessig, Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity, Penguin Press (2004), pp. 87 -94, pp. 183 -207.
