摘要
展览被布置在海上海创意 Loft 尚未完工的楼盘工地,这是对于任何参观者而言都具有足够陌生感的空间,当手里拿着工地门口专门为这个展览分发的安全帽穿行于水泥森林的骨架当中时,由陌生而激发的期待令人兴奋。《间·隔》认为,正是工地这个进行时的空间,作为一个暂时的安置场所,令艺术展览"这个充满了不确定和不断调节的行为过程,都不同程度的残留在这个现场……停放仅仅是短暂的,他时刻准备为其他更多的可能性留下进入的空间,它时刻准备撤离——也许有更有趣的故事进入。"
The exhibit is placed on an uncompleted construction site of HaiShangHai Originality Loft,an extremely strange and bewildering space for many visitors,who are excited by the expectation evoked by such strangeness,as they walk through the forest of cement and concrete frameworks with safety caps on hand.'Art of Partitioning',as it is established on a construction site in process-a temporary space for existing installation,it is 'affluent with uncertainty and ongoing behaviors,which are presented in various of forms...Any stop is transient,as it is preparing to render more space to the entrance of other possibilities,and to leave at any time—We are waiting for the coming of a more interesting story.'
出处
《大美术》
2005年第6期26-27,126,共3页
