摘要
看安藤的建筑,总能隐隐感到一丝禅意和两千多年前老子“大象无形”的意境,空间气氛的内敛、诗意、静谧、纯粹,时时流露出日本传统园林、茶庭的趣味,体现了日本民族的美学特性。他的建筑生涯带有强烈的戏剧性和传奇色彩,从一个街头青年到成为全世界最具号召力的偶像建筑师,安藤的经历是一个寻梦者的经历。从来没有一个当今的大牌建筑师像他这样,从江湖步入庙堂。没有受过任何正规科班训练的安藤,无师自通,最好的老师就是旅行途中学习活的建筑史。
Tadao Ando's design is a vivid embodiment of the aesthetics of Japan,that is,poetic,serene and pure.Through his works,we can always feel a gleam of Buddhism and the concept of immateriality,which is pursued by Laozi,the initiator of Taoism.Being a legend himself,he came through dramatic experiences and turned himself into an idol architect from a common lad.No famous architects in today's world have been like him who jumped into the field without any professional studying.He taught himself what architecture means with the distinctive constructions he saw during his trips as live textbooks.
出处
《大美术》
2006年第1期72-75,147,共5页