“伤痕美术”缘何市场雄起——析何多苓与四川画家群体作品的张力

Flourishing Market for the“Trauma Art”

罗中立的《父亲》开启了一个美术流派的诞生,带动了伤痕美术的大踏步前行。罗中立没有停留在《父亲》的辉煌中,何多苓也没有沉浸在《春风已经苏醒》带给他“优美的忧伤中”。而何多苓从自身出发,不断地对当下的美术投以理性的思考,多年来一直在征服自己,没有停留在过去理想中的乌托邦式的辉煌岁月里,更以女性、新生儿题材显示了其作品的张力。

Father by Luo Zhongli has already become a symbol,influencing a whole generation.His father has also become the“father”of a generation.What she bears is not only the geographic significance of the culture but the launch of a new school of art as well.It has brought along the leapfrog progress of the trauma art.A number of outstanding painters like Luo Zhongli,He Duoling, Cheng Conglin,and Gao Xiaohua have emerged,who have worked out numbers of art pieces which are still fresh in our memories. If Luo Zhongli's artworks present us a vision shock,then The Spring Breeze Is Awake by He Duoling in the same period brings us the psychological tension in the mind.In pursuit of the painting style of Andrew Wyeth,He Duoling combines his memory for growth and his understanding for the native land into his paintings.The keynote of his artworks is poetic and lyric,and He Duoling expresses the melancholy and the mark of the age with the language of painting,engraving it into the memory of people.His works span four stages, the change of each one stage relating directly to the real life and his mental state.And this comes directly from the change of his personal judgment and interest. Luo Zhongli's Father gives birth to a new school of art,driving the trauma art to stride forward.Luo Zhongli never stops in the great success of Father,and He Duoling never indulges himself in the“beautiful melancholy”brought by The Spring Breeze Is Awake.He Duoling holds to have rational meditation on the contemporary art from his own perspective.For the past years,he has kept making the self-improvement rather than being immersed in the past splendid utopian age in his mind.In addition,he shows the energy of his works with the female and the newborn baby as the subject of his paintings.