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当代艺术异军突起 中国书画精品受宠——2006春季艺术品大拍综述

Summary of the 2006 Spring Art Auction
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摘要 火热7月,国内外2006年春季艺术品大拍接近尾声。综观艺术品市场,依然处于2005年秋拍的调整期。在调整期中,各个门类的艺术品呈现出与以往不同的特点,在这个时期的市场特点以及投资收藏的要领也与以往有所区别。 In the burning July,the 2006 Spring Art Auction of domestic and foreign collections is coming to an end.Comprehensively viewed,the whole art market is still in a period of adjustment and regulation following the 2005 Autumn Auction.In this period,artworks of each category have exhibited some new characteristics,the whole market has new turnings,and the essentials of collecting and investing are also showing new changes. Chinese modern art was undoubtedly the focus that caught most eyes in the 2006 auction.With the promotion of international auction houses, Chinese modern art has gradually gained worldwide reorganization.The international market has established an object system aiming at Chinese modern art,which has brought along the development of domestic market.From New York to Hongkong,and to China mainland,Chinese modern artworks has risen as a sudden new force,and become a hot number in auction rooms. Neoteric calligraphies and paintings have entered an adjusting period since the 2005 Autumn Auction.Judging from the instances of 2006 Spring Auction,the market of neoteric calligraphies and paintings is still continuing the development of last year,experiencing a natural and rational market adjustment.The collectors' attitude has changed in this background.A few years ago,they irrationally went after every piece of renowned artists, now they begin to choose and invest on only the best works. As to the bargain prices of ancient pieces in 2006 Spring Auction,some are lower than the expected height.Yet mostly the bargain prices have remained in the scales evaluated in advance,and some even far overtopped people's expectation,a pleasant surprise for the investors. Under the overall contraction of neoteric artworks market,the comparatively steady market of Chinese ancient calligraphies and paintings will hopefully become the port harboring some of the investors.
作者 韦蔚
出处 《大美术》 2006年第7期96-99,140,共5页
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