摘要
同一个设计师,既可以设计豪华流畅的法拉利,也能设计家常趣怪的通心粉,也许这就是意大利设计何以能在六十年代蓬勃崛起,并一直保持领先位置和鲜明风格的原因。在通透的上海当代艺术馆,中意文化年的重头戏“意大利制造之艺术:今日——当代艺术和工业设计”展示了自60年代至今,当代意大利创意领域代表性的作品。这些设计、影像、戏剧、声音、装置作品,试图探讨二十世纪后半叶以来,意大利创作的发展演变过程,并反映在“意大利制造”的产品中,艺术创作和工业设计密不可分的关系。
In the bright indoor space of MOCA Shanghai, one of the key programs of Sino-ltaly Cultural Year,“Italian Art of Manufacture: Today--- Contemporary Art and Industrial Styling”, brought forth the representative works in contemporary field of original creation in Italy. These works, including styling, pictures, films, dramas, sounds and devices, are attempting to analyze the progress of evolution and transform of Italian creations, and also reflect the close relation between artistic creation and industrial styling in the products“made in Italy”. What the exhibition has brought people is not sheer visual novelty and impact. As time goes by, trends of bop or post-modernism that once rocked the world have already become world-popular concept and aesthesis of designing. Therefore, when you walk through the hall of“Mediterranean style”, figuring“made-in-Italy”is just so so and in turn missing the messages behind those works, it is very likely you have missed an opportunity to acquaint yourself with Italian styling, whereas these messages are just what the native Chinese designing system has been expecting for so long.
出处
《大美术》
2006年第8期56-59,131,共5页
