摘要
在中国当代艺术的领涨效应下,日本和韩国的当代艺术在经过长时间的酝酿期之后,于2007年开始,有了明显的突破。非中国当代艺术板块整体上涨,颇有跟进中国当代艺术疯狂脚步的情势。日本、韩国当代艺术的异军突起,有其多方面的内外原因,它们与中国当代艺术相比,有着不同的文化内涵和特性。如何投资和选购,更是值得推敲。
With Chinese modem art leads the appreciation in art market,modem art from Japan and Korea, after a long brewing period,has shown a great breakthrough.It is obvious that at the spring of 2006,the category was still in a cold snap;while at the fall of 2007,it has shown evident improvement in international market.Asian modern art is no longer the domination of Chinese artists,so that the overall rhythm has become more harmonious.The close prices of many auction items have soared,which in turn promoted the comprehensive rise of non- Chinese modern works,showing a trend of following up with the crazy march of Chinese modern art. The leadership of international auction houses has attracted local auction companies from China mainland,Taiwan Region,Japan and Korea to join the"fuel-adding"movement in the interactive market.These companies actively reach their feelers into every corner of Asian market;by promoting the concept of"Asianization",they seek all sorts of Asian art works to attract interested collectors.The unexpected appearance of Japanese and Korean modern art has been the result of multiple internal and external causes—economical development and social stability, as well as the painstaking promotion of auction houses.Different countries possess different cultural symbols,so that modem art from Japan and Korea has shown different characteristics from Chinese art because of the dissimilar cultural backgrounds and living environments. From the angle of investment,modem art works with originality,uniqueness and multi cultures show more potentials in future development. Investors may start from local expos,where one could get a comprehensive impression of local art,choosing interesting items that brings different stimulation or ideaistic impact.It is also great choice to pick works of renowned and recognized artists.
出处
《大美术》
2008年第6期58-61,共4页
