摘要
《泰脱斯·安德洛尼克斯》作为莎士比亚最早完成的一部悲剧 ,几百年来并没有得到学界的关注和肯定。作品中所谓“粗俗、残酷、低劣”的描写不仅和西方的悲剧传统、文艺复兴时期的社会风尚等因素分不开 ,而且也体现了莎士比亚悲剧一以贯之的艺术风格。其主人公泰脱斯作为一个具有宗法式美德的英雄 ,他的没落体现了人类永恒的精神追求和不断变化发展的价值观之间不可调和的矛盾。
Titus Andronicus, the first Shakespearean tragedy, has long been neglected and underestimated by literary scholars, who accuse it of vulgar, cruel and lowly descriptions. However, the accusation is partial and not well grounded, for such descriptions, being part of the tradition of Western tragedies and related to the Renaissance vogue, embody the persistent art of Shakespearean tragedies. The downfall of Titus, a hero of the patriarchal society, reflects the irreconcilable contradictions between the sempiternal pursuit of man and the ever-changing views of human values.
出处
《外国文学研究》
北大核心
2003年第2期98-101,174,共6页
Foreign Literature Studies
