南宋画坛非主流画家刍议

A Discussion on the Non-mainstream Painters of the Southern Song Dynasty

宋代是中国绘画山水题材发展并成为主流的关键时期,北宋南渡后,"南宋四家"所倡导的山水画风成为了当时画坛的主流。然而,在"南宋四家"画风之外还活跃着一些个人风格鲜明的"非主流"画家,如赵伯驹、赵伯骕、马和之、画僧法常等。他们不拘泥于主流时风,别开生面。正是因为这些非主流的画家以极大的勇气与智慧,努力维系、保持了山水画传统的连续性与持续性;中国山水画的发展也正是因为有了他们的存在,才更加完整、更加丰富多彩。

The Song Dynasty was a key period for Chinese landscape painting to develop into a mainstream form of Chinese painting. In the Southern Song time, while landscape painting, which was promoted by the'Four Masters of the Southern Song', became the mainstream, a group of non-mainstream painters including Zhao Boju, Zhao Bosu, Ma Hezhi, and Fachang were also active in the field with their innovative style immune to the conventions. It was the dedication of these non-mainstream painters with their great courage and wisdom that the continuity and sustainability of Chinese landscape painting were attained, and that the richness and diversity of Chinese landscape painting were fulfilled.