从形式到内容——《鹰(片段)》的文学性解读

From Form To Content—The Decoding of The Eagle(Fragment) In Perspective of Literariness

本文运用新批评的文本细读法,试图对创作于维多利亚时代的诗歌作品《鹰(片段)》进行文学性解读,发现该作品从形式到内容都渗透着力与美,从形式上的庄严和肃穆,典雅和冷峻,到内容上的自由和夸张,热情和想象,无不体现了规则与创造的高度统一,音乐与意象的高度统一,理性与感性的高度统一,古典与浪漫的高度统一,形式与内容的高度统一,具有高度的含混性和极强的张力性,非常符合后来英美新批评派关于"好诗"的文艺审美标准,值得深入探讨和研究。

This paper attempts to decode the Victorian work The Eagle(Fragment)in perspective of literariness by method of close reading of New Criticism,finding that the work is soaked with strength and beauty from form to content,and from sublimity and solemnity,elegance and objectivity in form,to liberty and exaggeration,passion and imagination in content,invariably embodying the unification of rule and creativity, music and imagery,classicism and romanticism,sense and sensibility,form and content,bearing strong ambiguity and tension,which conforms enormously to the very aesthetic standards of Anglo-American New Criticism for a'good poem',worthy of further examination and research.