试析李唐在山水画史上的地位

About LiTang’s Position in the History of Landscape Painting

李唐在中国画史上形成的地位,首先在于他改变了山水画发展以来的构图以及笔墨运用方式,使传统山水从全景式构图到半边构图,再到截景式构图,开启了其后马远、夏珪一角、半边局部取景布局的全新山水画章法,并且随着构图、布局、笔墨等的变化而导致绘画观念发生了变化。其次是李唐的个人行为及绘画表现出的"忠君爱国"气节,迎合了时人的心理及高宗在建炎初年的需要。

Li Tang’s picture in the history of the formation of a high position, the first is that he has changed since the development of landscape composition and ink to use these methods. From the panoramic view of the traditional landscape composition, the composition side, then cut scene type composition, then opened the Ma Yuan and Xia Gui corner, half of the local layout of the new tricks of the viewfinder, and with the composition, layout, ink and other changes which led to changes in the concept of painting. Followed by their personal behavior and paintings show the share of "loyalty""patriotic" integrity, meet the Emperor, when the psychological in the early JianYan years of the construction needs.