摘要
中国审美形态具有不同于西方审美形态的独特性,这种独特性反映了中国文化的个性。无论从质上还是从量上,都可以看出中国审美形态的多样性以及它所代表的中国文化的多样性。中国审美形态在长期的演变过程中形成了固守中华文化本体,同时吸纳其他文化精华,进行文化创造的优良传统,表现出很强的文化包容性和创新性。在中外文化的交流过程中,中国文化与中国审美形态之间的相互影响、相互作用更加明显。中国古代审美形态的当代再现,说明了中国文化的稳态性,这种稳态性构成了中国文化的本体性存在。
The Chinese aesthetic category of morphology(CACM)is different from the western aesthetic category of morphology(WACM).This reflects the uniqueness of Chinese culture.Whether in quality or in quantity,uniqueness can be found from the diversity of CACM and the diversity of Chinese culture.In the long-term process of evolution,CACM has formed fine tradition of defending tenaciously Chinese cultural noumenon,and meanwhile has absorbed other culture's essence to create new culture,which shows strong cultural inclusion and innovation.In the process of exchange between Chinese and foreign culture,the interaction between Chinese culture and CACM is more obvious. The contemporary representation of ancient CACM shows the stability of Chinese culture.This kind of stability is the ontology existence of Chinese culture.
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
2016年第1期69-74,共6页
Journal of Northwest Normal University(Social Sciences)
基金
国家社会科学基金项目"中国审美形态研究"(11XZW001)
关键词
审美形态
中华文化特性
多样性
本体性
包容性
创新性
稳态性
aesthetic category of morphology
characteristics of Chinese culture
diversity
ontology
inclusive
innovation
stability