摘要
数字虚拟技术一方面造就虚拟世界及其虚拟主体间性,一方面形成人类新的感性实践方式,完成了主体间性哲学难以完成的对主体性哲学的超越,促使人的感性解放程度得到空前提高,从而为人的全面发展架起了一座自由互通的桥梁。在文艺审美活动中,数字虚拟艺术实现了接受者与艺术品、艺术家之间的互动,在实时交流中强化了身临其境的感知经验。但艺术的数字化生产、美学的数字化生存也使艺术的精神品质、文化品格等内在价值被商业市场所放逐,这需要我们冷静理性地反思。
Digital virtual technology can not only create the virtual inter-subjectivity in the virtual world,but also form a new human perceptual practice,which realizes the subjectivity philosophy transcendence of inter-subjectivity philosophy,prompts human perceptual liberation to the unprecedented degree,and establish the interactive bridge for people's comprehensive development.In literary and artistic aesthetic activities,virtual digital art realizes interaction between the recipients and the artists,strengthening the sense of intimacy in the real-time communication.But the digital production of art and aesthetics of being digital also makes art spirit quality,culture character such as intrinsic value exile due to commercial market,which requires rational reflection.
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
2016年第1期75-79,共5页
Journal of Northwest Normal University(Social Sciences)
基金
国家社会科学基金项目"中国审美形态研究"(11XAW001)
关键词
虚拟主体间性
新感性
美学
数字化生存
virtual inter-subjectivity
new sensibility
aesthetics
being digital