摘要
1958年,中国出现了第一部中外合拍片,西方电影工作者首次介入中国电影创作。在整个世界处在冷战时期的氛围中,《风筝》所寻找的民族之间的沟通与理解,至少表现出了一种美好的意愿。
In 1958,the western film workers were firstly involved in China’s film-making with the emergence of the first Sino-foreign co-production in China.The communication and understanding between peoples sought by "The Magic of the Kite" had at least constituted to the expression of a good will.
出处
《新华航空》
2011年第10期140-143,150,共8页
