欲望的符号呈现、解读与生产——论德勒兹、艾柯与《玫瑰之名》

The Semiotic Presentation,Interpretation and Production of Desires——On Deleuze,Eco and the Novel & Movie Name der Rose

本文考察了当代哲学家德勒兹和符号学家艾科的欲望理论和符号理论,分析二者的思想联系与差别,以及对于现代性反思的理论意义。通过分析艾柯根据其符号理论完成的创作实践成果——小说《玫瑰之名》文本和此后改编的同名电影文本,解释不同媒介形态中欲望符号的意义呈现、解读和生产。

This paper explores the Theory of Desires and the Semiotic Theory of Gilles Deleuze and Umberto Eco to identify the academic coherences and the differences between the two theories so as to figure out their theoretical significance on modernity reflective thinking.Taking Eco's novel Name der Rose as the case,this study conducted a series of analysis on the text of the novel and later the text of the re-edited movie.The analysis attempts to decode symbolic presentation,interpretation and production of the symbols of desires in various medium.