摘要
本文旨在理解各类型节目间的关联以及它们与受众的联系。本文始于以下观点:当前各类新闻、时事,纪录片以及流行事实类型湍流齐聚,激荡各类节目,事实电视正遭遇风格重塑。"混种"是目前"事实性"的显著特征。各类流行事实节目混杂着虚构与非虚构成分,将事实与虚构的界限模糊到极限。流行的事实类型不再自我封闭、稳定而易知,它们移植、突变、复制。重要的是,它们跨入现有事实类型,并与已有类型杂交,加快新闻、时事、纪录片的变化步伐。观者并非抽身事外作壁上观,他们本身就是这场闹哄哄的"事实性"混种的参与者。他们的观看策略也反应了他们塑造事实性的过程。
The research in this article is about understanding genres in relation to each other and in relation to popular audiences.It takes as a starting point the idea that factual television is being restyled,that various kinds of news,current affairs,documentary and popular factual genres are part of a turbulent time in broadcasting.Hybridity is now the distinctive feature of factuality.The boundaries between fact and fiction have been pushed to the limits in various popular factual formats that mix non-fiction and fiction genres.Popular factual genres are not self-contained,stable,and knowable,they migrate,mutate,and replicate.Significantly,they cross over into existing factual genres,with the cross pollination of styles increasing the pace of change in news,current affairs,or documentary.Viewers do not experience factual genres in isolation but as part of a chaotic mix of factuality.Viewing strategies show how audiences are dealing with the restyling of factuality.
出处
《新闻与传播评论辑刊》
CSSCI
2008年第1期1-15,251,共18页
Journalism & Communication Review
关键词
受众
事实电视
混种
重塑事实性
audience factual television hybridity restyling factuality
