摘要
明清至民国时期的《万历野获编》《阅世编》《清升平署志略》等文献可证十番起源于江苏而非北京。口述记忆和地方文献进一步显示江南一带的十番除了由南传北,还于明末清初传入岭南的广东佛山。明清时期佛山城镇经济繁荣及人口增长、本土锣鼓乐盛行、乐器制作成行成市为十番的传入和繁育提供了环境支撑,佛山十番与苏南十番锣鼓、苏州玄妙观飞钹的乐器相似也佐证了岭南与江南十番的渊源关系。十番传入佛山后经在地化发展既有所创新,又保留了素十番的古朴形态,其作为古十番之活化石,为民间音乐跨地域传承传播史增添了鲜活个案。
Abstract:Some literature from the Ming and Qing Dynasty to the Republic of China(1912-1949)proves that ShiFan originated in Jiangsu instead of Beijing.Oral memory and local literature further show that the“Shifan”in the south of Yangtze River areas were introduced to Foshan Guangdong province in the Ming and Qing Dynasty.During the Ming and Qing Dynasties,Foshan's urban economic prosperity,population growth,and local instruments prevalent were provided environmental support for the introduction and development of Shifan.After Shifan was introduced to Foshan,it developed not only made some innovations,but also retained the primitive forms,which as a living fossil of the ancient Shifan,and added fresh cases to the cross-regional transmission of folk music.
基金
教育部哲学社会科学研究重大课题攻关项目(18JZD019)
广东省哲学社会科学“十三五”规划地方历史文化特色项目(GD16DL17)
关键词
佛山十番
江南
素十番
古朴
渊源
Foshan Shifan
South of the Yangtze River
Su Shifan
Primitive
Origin