摘要
面对“全球文化趋同”的蛊惑,我们的建筑设计师或直接缴械投降,或以“地域主义”苦苦支撑,中国的建筑个性正在走向两个极端:一是盲目的推行“国际主义”,放任内心深处的传统价值观的深刻堕落;一方面以非理性的“机械性地域主义”来抵御“文化趋同”的侵袭,大量制造“假古董”,假装我们的传统文化依然根深叶茂。然而不论是哪一种倾向,都不能改变我们的建筑设计正经历着民族性格的沦丧。“批判的地域主业”给我们提出了解决问题的新的思路。
In confrontation with the temptation of assimilation of global culture ,our architects either directly play a disarming role or find supports from regionalism. It is easy for us to distinguish these two extremes individual features of Chinese architecture are stepping into, which involve our blind obedience to internationalism and overindulgence in the serious degeneration of traditional value in the depth of our mind in the first regard, and the second one reflecting the reliance on irrational mechanical regionalism resists the attack caused by the assimilation of global culture to make substantial fake antiques in terms of pretension that our traditional culture are booming always. However, neither of those two extremes can shape the change that our designs for architecture are undergoing the depression of national characteristics. Critical regionalism has provided news solutions to problems for us.
关键词
地域文明
普世文明
地域主义
批判的地域主义
regional civilization, world civilization, regionalism, critical regionalism