摘要
我并不准备在绘画的平面中制造“如真”的幻像,我只想通过对画面的经营来传达我对一定结构形式的把握。自然始终是一切美的源泉,是一切艺术的范本。艺术是自然的重现,是提高的自然。艺术家所表现的自然,方才是真正的自然。意向性在自身中构造出对象,对直觉认识的认识就是对物化意向性的认识,把它作为意向性的对象,这就形成了形式和形式美。
The author does not intend to create a lively image in the plane of painting, on the contrary, he aims at expressing how much he has taken into his hands of painting structure by designing every picture. In his eyes, nature is the source of beauty and model for any art all the time, while art that reappears nature is virtually improved nature. Nature reflected by the artist is far more lively. One’s knowledge of material intention is the same as his of instinct. The author views the knowledge as purposeful objective, thus painting form and beauty of painting form come into being.
关键词
意向性
审美
自然
意识
思维
表现
主客体
意境
冲击力
Intention, Aesthetic standard, Nature, Understanding, Thought, Embodiment, Objective and subjective, Artistic conception, Pounding
