摘要
中古时期的断代并非如我们想象的那么清晰,这种过渡对整个社会的方方面面都有着深刻的影响,本文旨在将书法与绘画的这种反复被讨论过的内在联系从一个重要角度揭示出中古时期的绘画逐渐强调主观表现强调写意的倾向,并使文人画的审美特征逐渐张显出来。
The division of periods in the mediaeval times was not so clear just like what we have imagined. This kind of transition has exercised profound influence on the entire society. By discussing the inner link between the calligraphy and painting,the author intends to reveal the tendency of the painting in the mediaeval times,namely,gradually emphasizing the subjective performance and the enjoyable,so as to gradually reveal the esthetic characteristic of the painting of a scholar.
关键词
意境
唐代书画美学
历代名画记
artistic conception,esthetics of calligraphy and painting in Tang Dynasty,great picture records in all previous dynasties
